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623
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Piano Trio: piano, violon, violoncelle
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1 Piano, 4 mains
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1
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1
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1
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1
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66
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44
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41
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30
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27
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25
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20
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20
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19
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18
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17
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17
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15
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12
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11
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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37
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32
Trompette
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
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18
Trombone
18
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17
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17
Cor (partie séparée)
15
2 Trompettes (duo)
11
Cor et Piano
11
Trombone et Piano
10
Tuba et Piano
9
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9
Cor
9
2 Trombones (duo)
9
2 Cors (duo)
8
Tuba
6
Tuba (partie séparée)
6
Ensemble de Trompettes
5
2 Tubas (duo)
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
3
Trompette, Basson (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle et Piano
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
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CORDES
Violon et Piano
122
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon
28
Violoncelle, Piano
26
Alto, Piano
21
Violoncelle (partie séparée)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
2 Violons (duo)
17
Harpe
16
2 Violoncelles (duo)
12
2 Altos (duo)
8
Violon (partie séparée)
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
7
Alto seul
7
Violon, Violoncelle (duo)
6
Ensemble d'Altos
5
Contrebasse, Piano (duo)
5
Ensemble de Violons
5
Violon, Alto (duo)
5
2 Contrebasses (duo)
4
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à cordes: 3 violins
2
Harpe, Voix
2
Harpe, Violon, Violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle
1
Alto, Violoncelle (duo)
1
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1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
113
Cloches
107
Orchestre
85
Orchestre à Cordes
25
Fanfare
22
Ensemble de cuivres
16
Jazz combo
14
Ensemble Jazz
12
Batterie (partie séparée)
11
Orchestre de chambre
11
Percussion (partie séparée)
9
Batterie
7
Ensemble de Percussions
5
Marimba
2
Xylophone
1
Vibraphone
1
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AUTRES
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Let Music Live
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4076
With High Delight: Organ Music for Easter
The title of this collection says it all. These seven settings are imbued with a sense of …
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The title of this collection says it all. These seven settings are imbued with a sense of fun and vitality. The pieces are three to five pages in length. The vibrant, active nature of them precludes sight reading them in public (who does that?) but they are not daunting to learn. Contents: Awake, My Heart, with Gladness Christ Is Alive! Let Christians Sing Come, You Faithful, Raise the Strain I Know That My Redeemer Lives Now the Green Blade Rises This Joyful Eastertide With High Delight
Song List
: Auf, auf, mein Herz Duke Street Gaudeamus Pariter (Ave Virgo Virginum) Mit Freuden Zart (Bohemian Brethren) Noel Nouvelet Truro Vruechten
$19.00
17.63 €
#
With High Delight: Organ Music for Easter
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à lâacte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893â1902 and the ballet Jeux for Diaghilevâs Ballets Russes in 1912â13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902â03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908â17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912â13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his âangel of correctionsâ [âlâange des Correctionsâ] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussyâs âcompulsive achievementâ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feureâs 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to âwrite a ballet for him that he would signâ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussyâs lost potential masterpieces from his existing sketches and draftsâthen orchestrating them in Debussyâs style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.15 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à âLâHistoire de Tristanâ<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893â1902 and the ballet Jeux for Diaghilevâs Ballets Russes in 1912â13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902â03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908â17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912â13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his âangel of correctionsâ [âlâange des Correctionsâ] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussyâs âcompulsive achievementâ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feureâs 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to âwrite a ballet for him that he would signâ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussyâs lost potential masterpieces from his existing sketches and draftsâthen orchestrating them in Debussyâs style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.15 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Let Us Live as Friends
Chorale Unison
Unison/2-part choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX…
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Unison/2-part choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.15-3995H Composed by Stan Pethel. Educational, Concert, General. Octavo. 8 pages. Heritage Music Press - Digital #e15/3995H. Published by Heritage Music Press - Digital (LX.15-3995H). Let Us Live as Friends is a tender song for young choirs that celebrates friendships and the differences between us. This piece can be performed as two-part or simply in unison.
$2.40
2.23 €
#
Chorale Unison
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Stan Pethel
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Let Us Live as Friends
#
Heritage Music Press - Digital
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SheetMusicPlus
James Bond Returns: Mallets
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016059_M1 Mallets. Arranged b…
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Concert Band - Digital Download SKU: AX.00-PC-0016059_M1 Mallets. Arranged by Ken Dye. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016059_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016059_M1). ISBN 9780757933073. UPC: 029156178999.He's the ultimate secret agent, and even when portrayed on the big screen by an array of actors, the character is always supremely believable. This hero of heroes is musically represented by these blockbuster titles: The James Bond Theme * Goldfinger * From Russia With Love * Live and Let Die * You Only Live Twice.
$3.00
2.78 €
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Orchestre d'harmonie
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Ken Dye
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James Bond Returns: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Let Us Live as Friends - Downloadable Accompaniment MP3
Digital Download SKU: LX.99-4680H Composed by Stan Pethel. Educational, Concert. Ac…
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Digital Download SKU: LX.99-4680H Composed by Stan Pethel. Educational, Concert. Accompaniment MP3. Heritage Music Press - Digital #e99/4680H. Published by Heritage Music Press - Digital (LX.99-4680H).
$14.95
13.87 €
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Stan Pethel
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Let Us Live as Friends - Downloadable Accompaniment MP3
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Heritage Music Press - Digital
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SheetMusicPlus
James Bond Medley: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015659_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015659_M1 Mallets. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_M1). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).
$3.00
2.78 €
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Orchestre
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Monty Norman
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Victor Lopez
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James Bond Medley: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
So Let Us Live - Really Live! for baritone and piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live ââ¬â Really Live! were commissioned by John Goodman in honor of his wife Kerry Kingââ¬â¢s fiftieth birthday. The set ââ¬â with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerryââ¬â¢s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearerââ¬â¢s wonderful voice and Lino Riveraââ¬â¢s exquisite hands, which were constantly in my mindââ¬â¢s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
25.98 €
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Robert M
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So Let Us Live - Really Live! for baritone and piano
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Robert M. Greenberg
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SheetMusicPlus
Live And Let Die
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the Britishââ¬âAmerican rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
64.96 €
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Orchestre
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Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
Let's Sing Our Songs For Jesus
Voix seule
Vocal Solo,Voice - Digital Download SKU: A0.793367 Composed by Minni K. Ang. Christ…
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Vocal Solo,Voice - Digital Download SKU: A0.793367 Composed by Minni K. Ang. Christian,Praise and Worship,Sacred. 1 pages. Dr Minni Ang #4758345. Published by Dr Minni Ang (A0.793367). Scripture Union Malaysia, original Music Camp theme song in 1989. It is suitable for general Christian praise and worship. Here are the lyrics:CHORUSLetâ??s sing our songs to JesusLetâ??s live our lives for JesusLetâ??s sing unto the LordLetâ??s lift our voice to JesusLetâ??s give our best for JesusCome sing unto the LordLetâ??s give our best for Jesus ChristOur songs, our lives, our all to HimLetâ??s lift our voice unto the LordAnd praise Him in our songs forever(repeat chorus)Letâ??s play our best for Jesus ChristOur drums, guitars, pianos, tooMake a joyful noise unto the LordAnd praise Him for this life anew(repeat chorus)
$1.99
1.85 €
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Voix seule
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Minni K
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Let's Sing Our Songs For Jesus
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Dr Minni Ang
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SheetMusicPlus
Monster Music Journal by Pearl and Eddie Lewis
Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis,…
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Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
$9.99
9.27 €
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Pearl Lewis, Eddie Lewis
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Monster Music Journal by Pearl and Eddie Lewis
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Tiger Music
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SheetMusicPlus
Let Us Live to His Glory—Medium-Range Vocal Solo and Piano
Mezzo-Soprano Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1050814 By Dani…
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Mezzo-Soprano Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1050814 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Contemporary,Pop,Praise & Worship,Sacred. 6 pages. Daniel Carter #655139. Published by Daniel Carter (A0.1050814). Let us live to His glory. Let us love with his heart. Let us live with his glory, Let us have a brand new start. Toni Sorensen's words are a call for us to leave our cares, worries, and burdens at His feet and to shine with His glory. For medium-range solo voice and piano, suitable for worship, devotionals, and many other gatherings. Available also for High Solo Voice, Chorus, and Piano at danielcartermusic.com.
$4.99
4.63 €
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Daniel Carter
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Daniel Carter
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Let Us Live to His Glory—Medium-Range Vocal Solo and Piano
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Daniel Carter
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SheetMusicPlus
I Am He, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1270639 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1270639 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #863012. Published by Kevin G. Pace (A0.1270639). Dramatic, sacred choral composition.àMusic by Kevin G. Pace.àText by Mary Ann W. Snowball.Text:ââ¬ÅI am Heââ¬Â was His response to evil captors there.ââ¬ÅI am who ye seek today; let other lives be spared.ââ¬ÂRoman soldiers, drenched in spite, voiced threatââ¬â¢nings very clear.Then Peter, with his sword unsheathed, removed a Romanââ¬â¢s ear.Jesus gently touched that ear for Malchus to be healed.ââ¬ËStead of using powââ¬â¢r to live, pure mercy was His shield.Showing Fatherââ¬â¢s love for all, He walked a diffââ¬â¢rent pathBy granting miracles to each when met with bitter wrath.Standing in for Peter, too, pure Jesus healed this wound,Saving him from punishment and further mortal gloom.Then the captors took Him hence to die for all menââ¬â¢s sins,Yet, He would live triumphantly . . . the miracle is Him.ââ¬ÅI am Heââ¬Â He claims to all, for Jesus is our Lord.ââ¬ÅO, I am who ye seek today. Come closer, I implore.ââ¬Âââ¬ÅI am He; Iââ¬â¢m called the Christ. I live so all can seeMy heavââ¬â¢nly powââ¬â¢rs displayed with love and mercy. I am He.ââ¬Â.
$1.99
1.85 €
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Chorale SATB
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granting miracles to each when met with bitter wrath
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Kevin G
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let other lives be spared
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I Am He, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By F…
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Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ââ¢Â« His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldnââ¬â¢t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ââ¢Â« In 1752 he was employed by Count Karl Joseph Morzin, leading the Countââ¬â¢s small orchestra and writing the first of his symphonies. ââ¢Â« In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ââ¢Â« In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ââ¢Â« Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydnââ¬â¢s reputation grew to international fame. ââ¢Â« Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the ââ¬ÅFather of our Countryââ¬Â, yet had no children, Haydn is known as the ââ¬ÅFather of the Symphony.ââ¬Â and the ââ¬ÅFather of the string Quartet.ââ¬Â ââ¢Â« Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydnââ¬â¢s home where Haydn lay dying. ââ¢Â« The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ââ¢Â« The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composerââ¬â¢s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ââ¢Â« Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ââ¢Â« Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.7 €
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Piano seul
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Stephen R Dalrymple
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Haydn Piano Sonata 40.2 Presto
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Stephen R Dalrymple
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SheetMusicPlus
Let It Shine!
Chorale 3 parties
3-part mixed choir, Piano - Digital Download Composed by Mary Lynn Lightfoot. Educati…
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3-part mixed choir, Piano - Digital Download Composed by Mary Lynn Lightfoot. Educational, Concert, Festival. Octavo. 12 pages. Heritage Music Press #15/3063H. Published by Heritage Music Press
ISBN 9781429136433.<br> <br> Add some sparkle and zest to your next concert or festival with this lively pairing of two spiritual favorites. This gem for developing choirs abounds with playful and engaging interplay between parts.
$2.50
2.32 €
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Chorale 3 parties
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Mary Lynn Lightfoot
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Let It Shine!
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Heritage Music Press
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SheetMusicPlus
Haydn Piano Sonata 40.1 Allegretto innocente (Classical Music for Tablet Series)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818282 By Stephen R Dalrymple. By F…
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Piano Solo - Level 3 - Digital Download SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 17 pages. Stephen R Dalrymple #4967137. Published by Stephen R Dalrymple (A0.818282). Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ââ¢Â« His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldnââ¬â¢t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ââ¢Â« In 1752 he was employed by Count Karl Joseph Morzin, leading the Countââ¬â¢s small orchestra and writing the first of his symphonies. ââ¢Â« In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ââ¢Â« In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ââ¢Â« Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydnââ¬â¢s reputation grew to international fame. ââ¢Â« Haydn wrote 104 Symphonies. Not unlike George Washington, nicknamed the ââ¬ÅFather of our Countryââ¬Â, yet had no children, Haydn is known as the ââ¬ÅFather of the Symphony.ââ¬Â ââ¢Â« Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydnââ¬â¢s home where Haydn lay dying. ââ¢Â« The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ââ¢Â« The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composerââ¬â¢s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ââ¢Â« Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ââ¢Â« Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.7 €
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Piano seul
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Stephen R Dalrymple
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Haydn Piano Sonata 40.1 Allegretto innocente
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Stephen R Dalrymple
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SheetMusicPlus
My Letter to the World from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-1E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-1E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.64 €
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Voix Soprano, Piano
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Gwyneth W
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My Letter to the World from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
18.51 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
Live And Let Die
Ensemble de cuivres
Brass Choir or Ensemble, Drum Set, Brass Band - Early Intermediate - Digital Downloa…
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Brass Choir or Ensemble, Drum Set, Brass Band - Early Intermediate - Digital Download By Paul McCartney & Wings. Arranged by K Davies. Score, Set of Parts. 34 pages. Published by Bandmusic.co.uk
A great arrangement for Brass Band of this McCartney song used as theme music for the 1973 James Bond film of the same name.
$45.00
41.76 €
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Ensemble de cuivres
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Paul McCartney & Wings
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K Davies
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Wings
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Live And Let Die
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Bandmusic.co.uk
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SheetMusicPlus
Let It Be
Trombone
Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1328346 By Kris A…
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Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1328346 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #916342. Published by M das Melodias (A0.1328346). Sheet Music for Trombone.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.
$4.99
4.63 €
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Trombone
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Kris Allen
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Josiel Oliveira
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Let It Be
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M das Melodias
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SheetMusicPlus
Let It Be
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1328347 By Kris Allen. By …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1328347 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #916343. Published by M das Melodias (A0.1328347). Sheet Music for Trumpet in Bb.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.
$4.99
4.63 €
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Trompette
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Kris Allen
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Josiel Oliveira
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Let It Be
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M das Melodias
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SheetMusicPlus
Let It Be
Trompette, Piano
Piano,Trumpet in D - Level 1 - Digital Download SKU: A0.1328350 By Kris Allen. By J…
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Piano,Trumpet in D - Level 1 - Digital Download SKU: A0.1328350 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #916346. Published by M das Melodias (A0.1328350). Sheet Music for Trumpet in D.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.
$4.99
4.63 €
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Trompette, Piano
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Kris Allen
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Josiel Oliveira
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Let It Be
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M das Melodias
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SheetMusicPlus
Let It Be
Flûte traversière et Piano
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1328360 By Kris Allen. By …
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1328360 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #916356. Published by M das Melodias (A0.1328360). Sheet Music for Flute and Piano.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.
$4.99
4.63 €
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Flûte traversière et Piano
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Kris Allen
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Josiel Oliveira
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Let It Be
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M das Melodias
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SheetMusicPlus
Let It Be
Trompette, Piano
Piano,Trumpet - Level 1 - Digital Download SKU: A0.1328349 By Kris Allen. By John L…
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Piano,Trumpet - Level 1 - Digital Download SKU: A0.1328349 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #916345. Published by M das Melodias (A0.1328349). Sheet Music for Trumpet in C.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.
$4.99
4.63 €
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Trompette, Piano
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Kris Allen
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Josiel Oliveira
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Let It Be
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M das Melodias
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SheetMusicPlus
Let It Be
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1328353 By Kris Allen. By John Len…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1328353 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #916349. Published by M das Melodias (A0.1328353). Sheet Music for Viola.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.
$4.99
4.63 €
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Alto, Piano
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Kris Allen
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Josiel Oliveira
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Let It Be
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M das Melodias
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SheetMusicPlus
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